Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934
Type
Book
Authors
ISBN 10
0231110952
ISBN 13
9780231110952
Category
Film History
[ Browse Items ]
Publication Year
1999
Publisher
Pages
400
Subject
Motion pictures -- United States -- History. Motion pictures -- History. Hollywood (Los Angeles, Calif.) -- Film Industry -- History.
Tags
Abstract
This book explores the four-year interval between 1930 and 1934, a time when censorship was lax and Hollywood made the most of it. Doherty chronicles how the freewheeling films of an unrestricted Hollywood inform the culture of America in the 1930s.
Contents:
1. On the Cusp of Classical Hollywood Cinema Patrolling the Diegesis Pre-Code Contexts 2. Breadlines and Box Office Lines: Hollywood in the Nadir of the Great Depression The Lost Millions A Synchronized Industry "Mike Fright" 3. Preachment Yarns: The Politics of Mere Entertainment Telegraphing Ideology Class Distinctions Professional Malfeasance 4. Dictators and Democrats: The Rage for Order Hankering for Supermen "The Barrymore of the Capital": The Newsreel Presidency of Franklin Delano Roosevelt A New Deal in the Last Reel The Mad Dog of Europe 5. Vice Rewarded: The Wages of Cinematic Sin Packaging Vice Models of Immorality Figurative Literalness Queer Flashes "Women Love Dirt" Working Girls 6. Criminal Codes: Gangsters Unbound, Felons in Custody Rushing Toward Death: The Gangster Film Men Behind Bars: The Prison Film 7. Comic Timing: Cracking Wise and Wising Up Commentators on the Action Story, Screenplay, and All Dialogue by Mae West Newspaper Patter The Blue Eagle and Duck Soup (1933) 8. News on Screen: The Vividness of Mechanical Immortality Library Stock The Newsreel Ethos Covering Up the Great Depression 9. Remote Kinships: The Geography of the Expeditionary Film Points on the Compass Faking It: Phoney Expeditions and Real Deaths The Dark Continent 10. Primitive Mating Rituals: The Color Wheel of the Racial Adventure Film "He's White": Tarzan, the Ape Man (1932) and Tarzan and His Mate (1934) Red Skin, Red Lips: Massacre (1934) East Mates West "The Ethiopian Trade" Nerve and Brains: Paul Robeson and The Emperor Jones (1933) Beauty and the Beast: King Kong (1933) 11. Nightmare Pictures: The Quality of Gruesomeness Rugged Individualism: Dracula (1931), Frankenstein (1931), and Their Progeny The Lower Orders Rise Up: Island of Lost Souls (1933) and Freaks (1932) 12. Classical Hollywood Cinema: The World According to Joseph I. Breen "The Storm of '34" Hollywood Under the Code Post-Code Hollywood Cinema
Contents:
1. On the Cusp of Classical Hollywood Cinema Patrolling the Diegesis Pre-Code Contexts 2. Breadlines and Box Office Lines: Hollywood in the Nadir of the Great Depression The Lost Millions A Synchronized Industry "Mike Fright" 3. Preachment Yarns: The Politics of Mere Entertainment Telegraphing Ideology Class Distinctions Professional Malfeasance 4. Dictators and Democrats: The Rage for Order Hankering for Supermen "The Barrymore of the Capital": The Newsreel Presidency of Franklin Delano Roosevelt A New Deal in the Last Reel The Mad Dog of Europe 5. Vice Rewarded: The Wages of Cinematic Sin Packaging Vice Models of Immorality Figurative Literalness Queer Flashes "Women Love Dirt" Working Girls 6. Criminal Codes: Gangsters Unbound, Felons in Custody Rushing Toward Death: The Gangster Film Men Behind Bars: The Prison Film 7. Comic Timing: Cracking Wise and Wising Up Commentators on the Action Story, Screenplay, and All Dialogue by Mae West Newspaper Patter The Blue Eagle and Duck Soup (1933) 8. News on Screen: The Vividness of Mechanical Immortality Library Stock The Newsreel Ethos Covering Up the Great Depression 9. Remote Kinships: The Geography of the Expeditionary Film Points on the Compass Faking It: Phoney Expeditions and Real Deaths The Dark Continent 10. Primitive Mating Rituals: The Color Wheel of the Racial Adventure Film "He's White": Tarzan, the Ape Man (1932) and Tarzan and His Mate (1934) Red Skin, Red Lips: Massacre (1934) East Mates West "The Ethiopian Trade" Nerve and Brains: Paul Robeson and The Emperor Jones (1933) Beauty and the Beast: King Kong (1933) 11. Nightmare Pictures: The Quality of Gruesomeness Rugged Individualism: Dracula (1931), Frankenstein (1931), and Their Progeny The Lower Orders Rise Up: Island of Lost Souls (1933) and Freaks (1932) 12. Classical Hollywood Cinema: The World According to Joseph I. Breen "The Storm of '34" Hollywood Under the Code Post-Code Hollywood Cinema
Number of Copies
1
